The Complete Beethoven Piano Concertos | Garrick Ohlsson, piano; Sir Donald Runnicles, conductor; Grand Teton Music Festival Orchestra | FLAC|192kHz/24bit

格莱美获奖钢琴家**加里克·奥尔森（Garrick Ohlsson）**与**唐纳德·拉尼科尔斯爵士（Sir Donald Runnicles）**执棒的**大提顿音乐节管弦乐团（Grand Teton Music Festival Orchestra）**，于2022年7月现场录制、2023年5月由Reference Recordings发行的贝多芬钢琴协奏曲全集{insert\_element\_0\_}。收录贝多芬全部5首钢琴协奏曲（Op.15/19/37/58/73）及《普罗米修斯的生民》序曲（Op.43），全程3小时5分钟{insert\_element\_1\_}。奥尔森以精准触键、歌唱性连奏与深邃乐思诠释贝多芬从古典到浪漫的风格演进，乐团在拉尼科尔斯指挥下层次清晰、动态饱满，现场录音兼具临场感与发烧级音质。本版为**顶级Hi-Res FLAC 192kHz/24bit**音源，动态范围极广、细节分毫毕现，完美还原钢琴音色、管弦织体与空间声场，是古典发烧、贝多芬作品收藏的殿堂级录音。

The Complete Beethoven Piano Concertos
Garrick Ohlsson | piano; Sir Donald Runnicles | conductor; Grand Teton Music Festival Orchestra

FLAC|192kHz/24bit
专辑价格: ¥268
专辑下载
规格: 16 首
流派: 古典乐
类别: 钢琴
发布: 2026-03-24
公司: Reference Recordings
Piano Concerto No. 1 in C Major, Op. 15 I. Allegro con brio – Garrick Ohlsson, piano; Sir Donald Runnicles, conductor; Grand Teton Music Festival Orchestra
00:00 / 00:55

简介

1. Piano Concerto No. 1 in C Major, Op. 15 I. Allegro con brio
2. Piano Concerto No. 1 in C Major, Op. 15 II. Largo
3. Piano Concerto No. 1 in C Major, Op. 15 III. Allegro
4. Piano Concerto No. 2 in B-Flat Major, Op. 19 I. Allegro con brio
5. Piano Concerto No. 2 in B-Flat Major, Op. 19 II. Adagio
6. Piano Concerto No. 2 in B-Flat Major, Op. 19 III. Allegro molto
7. Piano Concerto No. 3 in C Minor, Op. 37 I. Allegro con brio
8. Piano Concerto No. 3 in C Minor, Op. 37 II. Largo
9. Piano Concerto No. 3 in C Minor, Op. 37 III. Rondo – Allegro
10. Piano Concerto No. 4 in G Major, Op. 58 I. Allegro moderato
11. Piano Concerto No. 4 in G Major, Op. 58 II. Andante con moto
12. Piano Concerto No. 4 in G Major, Op. 58 III. Rondo – Vivace
13. Piano Concerto No. 5 in E-Flat Major, Op. 73 I. Allegro
14. Piano Concerto No. 5 in E-Flat Major, Op. 73 II. Adagio un poco moto
15. Piano Concerto No. 5 in E-Flat Major, Op. 73 III. Rondo – Allegro, ma non troppo
16. The Creatures of Prometheus, Op. 43 Overture

Musical careers last longer than they used to, and here, it is difficult to detect any weakening of the long-impressive technique of pianist Garrick Ohlsson, 74 years old, when this album was recorded in the summer of 2022. The feat is especially impressive in that all five of the Beethoven concertos (plus the Overture to The Creatures of Prometheus, Op. 43, with no piano) were performed live within a single week. Ohlsson is backed by the Grand Teton Music Festival Orchestra under the direction of veteran conductor Donald Runnicles, who points out that he and Ohlsson had very little discussion about interpretation prior to the performances. It is here that Ohlsson’s expertise is evident. He doesn’t blaze any new paths in these works, but one has the feeling that he holds the performances, to borrow a phrase from John Le Carré, like a thrush’s egg in his hand. His readings are simple in the best way. Sample the arresting opening of the first movement of the Piano Concerto No. 4 in G major, Op. 58; it is direct, yet there are micro shapings that bespeak long familiarity. In fact, it is in the first two concertos, where the lengthy expositions make it less possible for Ohlsson to control the flow of events, that are less effective. The partnership between Ohlsson and the orchestra, though, is lively throughout, and Runnicles gets excellent results from what is likely essentially a pickup group; the orchestra is moderately sized and agile. Superb live recording from Reference Recordings, discussed in detail in the booklet, is another draw.

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