![图片[1]-Louis Frémaux《The Complete CBSO Recordings(伯明翰市立交响乐团完整录音集)》| FLAC 96kHz/24bit 古典交响高解析收藏版专辑-AiHiFi.CN](https://img.hifihi.cn/i/2025/10/10/nzwvyg.webp)
《The Complete CBSO Recordings》是指挥家 Louis Frémaux 与伯明翰市立交响乐团(CBSO)的经典录音合集,涵盖贝多芬、 Brahms、德沃夏克等古典主义至浪漫主义时期的核心交响作品,集中展现二者数十年合作的默契 ——Frémaux 以细腻严谨的指挥风格,既还原古典作品的结构美感,又赋予浪漫派曲目充沛的情感张力;CBSO 则以精准的声部配合、饱满的音色,完美呈现指挥的诠释意图。
专辑采用 FLAC 96kHz/24bit 高解析格式呈现,能完整还原交响乐团的声部层次(如弦乐群的丝滑过渡、铜管的浑厚张力、木管的明亮质感)与录音细节(如音乐厅自然混响、乐器定位),无压缩特性保留古典交响的动态范围,既适合深度聆听,也具备极高的收藏价值,推荐给古典乐迷、交响音乐爱好者及高解析音质追求群体。
The Complete CBSO Recordings
Louis Frémaux
FLAC|96kHz/24bit
专辑价格: ¥668
专辑下载
规格: 162 首
流派: 古典乐
类别: 其他
发布: 2017-10-09
公司: Warner Classics
简介
“This 12-CD set assembles, for the first time, all the recordings that the French conductor Louis Frémaux made (for EMI) with the City of Birmingham Symphony Orchestra during his tenure as its Principal Conductor (1969-1978). These recordings helped to build the CBSO’s international reputation before the arrival of Simon Rattle as its Principal Conductor in 1980. This 12-CD set joins Warner Classics’ Icon series, which pays homage to some of the greatest recording artists of the recent past. The box is devoted to the French conductor Louis Frémaux, who, from 1969 to 1978, preceded Simon Rattle as Principal Conductor of the City of Birmingham Symphony Orchestra. For the first time, it assembles all the recordings that Frémaux and the CBSO made for EMI. Over the course of the 1970s their discography played a substantial role in building the orchestra’s international reputation before the arrival of Rattle as its Principal Conductor in 1980. Indeed, such was the orchestra’s prowess in the French music favoured by Frémaux that, in 1978, Rattle described the CBSO as “the best French orchestra in the world”. Louis Frémaux, now 95, was born in northern France. He attended the conservatory of Valenciennes, but his studies were interrupted by World War II. Too young to join the army, he became involved in the Resistance, and at the end of the War he joined the French Foreign Legion, serving in Vietnam. In 1947 he entered the Paris Conservatoire, where he studied conducting with Louis Fourestier, going on to win the institution’s first prize for conducting in 1952. He launched his recording career with the Erato label, and a notable success was the Requiem by the Baroque composer Jean Gilles, which won the Grand Prix du Disque in 1956, the year Frémaux began his nine-year tenure as Chief Conductor of the Monte Carlo Opera Orchestra. He first conducted the City of Birmingham Symphony Orchestra in 1968 and became its Principal Conductor the following year. The CBSO’s history had been somewhat chequered, despite attracting such principal conductors as Adrian Boult and Andrzej Panufnik, but Frémaux groomed the orchestra, taking it to a new level. While the team gained special renown for its performances of French repertoire, it also sustained a strong reputation in the works of modern British composers. The vast majority of this Icon set is devoted to French music: Berlioz (notably the Grande Messe des Morts, the first recording project of the CBSO Chorus, which Frémaux established in 1973); Massenet; Bizet (including his rarely-heard symphonic suite Roma); Lalo; Saint-Saëns (including the Symphony No 3, a work closely associated with Frémaux); Fauré (the Requiem); Chabrier; Debussy; Dukas; Ravel; Ibert (whose music occupies almost an entire CD); Honegger; Poulenc (the Gloria, Piano Concerto and Les Biches) and Satie. The British-born composers featured are: Litolff; Walton (who occupies an entire CD, dominated by the two Façade suites), and John McCabe (1939-2015), whose Notturni was premiered by Frémaux and the CBSO in 1970.
Appearing for the first time on CD is a selection of arias by Leoncavallo, Puccini, Bizet, Sullivan, Lehár and Johann Strauss II, sung in English by the tenor by the Birmingham-born tenor David Hughes (1929-1972), who, before turning to opera, had enjoyed success as a popular singer; the arias are complemented by overtures by Offenbach. Other soloists appearing on the set include tenor Robert Tear, cellist Paul Tortelier and pianists John Ogdon and Cristina Ortiz.
- Grande Messe des morts, Op. 5, H. 75 I. Requiem et Kyrie (Introitus)
- Grande Messe des morts, Op. 5, H. 75 II. Dies Irae – Tuba mirum
- Grande Messe des morts, Op. 5, H. 75 III. Quid sum miser
- Grande Messe des morts, Op. 5, H. 75 IV. Rex tremendae majestatis
- Grande Messe des morts, Op. 5, H. 75 V. Quaerens me
- Grande Messe des morts, Op. 5, H. 75 VI. Lacrymosa
- Grande Messe des morts, Op. 5, H. 75 VII. Offertorium
- Grande Messe des morts, Op. 5, H. 75 VIII. Hostias
- Grande Messe des morts, Op. 5, H. 75 IX. Sanctus
- Grande Messe des morts, Op. 5, H. 75 X. Agnus Dei
- Le Carnaval romain, Op. 9, H. 95 Overture
- Tristia Op. 18, H. 119 III. Marche funèbre pour la dernière scène d’Hamlet, H. 103
- La Damnation de Faust, Op. 24, H. 111 I. Marche hongroise
- La Damnation de Faust, Op. 24, H. 111 II. Danse des sylphes
- La Damnation de Faust, Op. 24, H. 111 III. Menuet des follets
- Benvenuto Cellini, H. 76b Grande Ouverture
- Les Troyens, Op. 29, H. 133, Act 4 No. 29 Chasse royale et orage
- Les Troyens, Op. 29, H. 133, Act 1 No. 11 Marche troyenne
- Le Cid I. Castillane
- Le Cid II. Andalouse
- Le Cid III. Aragonaise
- Le Cid IV. Aubade
- Le Cid V. Catalane
- Le Cid VI. Madrilène
- Le Cid VII. Navarraise
- Suite No. 4, Scènes pittoresques I. Marche
- Suite No. 4, Scènes pittoresques II. Air de ballet
- Suite No. 4, Scènes pittoresques III. Angélus
- Suite No. 4, Scènes pittoresques IV. Fête bohême
- La Vierge Le Dernier Sommeil de la Vierge
- Roma, WD 37 I. Une chasse dans la Forêt d’Ostie – Andante tranquillo – Andante
- Roma, WD 37 II. Scherzo – Allegretto vivace
- Roma, WD 37 III. Une procession – Andante molto
- Roma, WD 37 IV. Carnaval à Rome – Allegro vivacissimo
- Symphonie espagnole in D Minor, Op. 21 I. Allegro non troppo
- Symphonie espagnole in D Minor, Op. 21 II. Scherzando
- Symphonie espagnole in D Minor, Op. 21 III. Intermezzo (Allegretto non troppo)
- Symphonie espagnole in D Minor, Op. 21 IV. Andante
- Symphonie espagnole in D Minor, Op. 21 V. Rondo (Allegro)
- Cello Concerto in D Minor I. Prélude – Lento – Allegro maestoso
- Cello Concerto in D Minor II. Intermezzo – Andantino con moto
- Cello Concerto in D Minor III. Introduction – Andante – Allegro vivace
- Cello Concerto No. 1 in A Minor, Op. 33 I. Allegro non troppo
- Cello Concerto No. 1 in A Minor, Op. 33 II. Allegretto con moto
- Cello Concerto No. 1 in A Minor, Op. 33 III. Allegro non troppo
- Symphony in C Major, WD 33 I. Allegro vivo
- Symphony in C Major, WD 33 II. Adagio
- Symphony in C Major, WD 33 III. Scherzo – Allegro
- Symphony in C Major, WD 33 IV. Finale – Allegro vivace
- Symphony No. 3 in C Minor, Op. 78, Organ I. Adagio – Allegro moderato
- Symphony No. 3 in C Minor, Op. 78, Organ II. Poco adagio
- Symphony No. 3 in C Minor, Op. 78, Organ III. Allegro moderato – Presto
- Symphony No. 3 in C Minor, Op. 78, Organ IV. Maestoso – Allegro
- Concerto Symphonique No. 4 in D Minor, Op. 102 II. Scherzo
- Requiem, Op. 48 I. Introit et Kyrie
- Requiem, Op. 48 II. Offertoire
- Requiem, Op. 48 III. Sanctus
- Requiem, Op. 48 IV. Pie Jesu
- Requiem, Op. 48 V. Agnus Dei
- Requiem, Op. 48 VI. Libera Me
- Requiem, Op. 48 VII. In Paradisum
- Cantique de Jean Racine, Op. 11
- Ballade, Op. 19
- Le Carnaval des animaux, R. 125 I. Introduction et Marche royale du lion
- Le Carnaval des animaux, R. 125 II. Poules et coqs
- Le Carnaval des animaux, R. 125 III. Hémiones (ou Animaux véloces)
- Le Carnaval des animaux, R. 125 IV. Tortues
- Le Carnaval des animaux, R. 125 V. L’éléphant
- Le Carnaval des animaux, R. 125 VI. Kangourous
- Le Carnaval des animaux, R. 125 VII. Aquarium
- Le Carnaval des animaux, R. 125 VIII. Personnages à longues oreilles
- Le Carnaval des animaux, R. 125 IX. Le Coucou au fond des bois
- Le Carnaval des animaux, R. 125 X. Volière
- Le Carnaval des animaux, R. 125 XI. Pianistes
- Le Carnaval des animaux, R. 125 XII. Fossiles
- Le Carnaval des animaux, R. 125 XIII. Le Cygne
- Le Carnaval des animaux, R. 125 XIV. Final
- Le Carnaval des animaux, R. 125 XIII. Le Cygne
- 6 études, Op. 52 No. 6 Caprice, d’après l’étude en forme de valse (Arr. E. Ysa?e for Violin and Orchestra)
- Le Déluge, Op. 45 Prélude
- Wedding Cake in A-Flat Major, Op. 76
- Allegro appassionato in B Minor, Op. 43
- Danse macabre, Op. 40
- Espa?a
- Prélude à l’après-midi d’un faune, L. 86
- L’Apprenti sorcier
- Boléro, M. 81
- Divertissement I. Introduction – Allegro vivo
- Divertissement II. Cortège – Moderato molto – Animato subito
- Divertissement III. Nocturne – Lento
- Divertissement IV. Valse – Animato assai
- Divertissement V. Parade – Tempo di marcia
- Divertissement VI. Finale – Quasi cadenza – Vivo (Tempo di galop)
- Symphonie marine
- Bacchanale
- Louisville-concert
- Bostoniana
- Pacific 231, H. 53
- Gloria, FP 177 I. Gloria in excelsis deo
- Gloria, FP 177 II. Laudamus te
- Gloria, FP 177 III. Domine Deus
- Gloria, FP 177 IV. Domine fili unigenite
- Gloria, FP 177 V. Domine Deus, Agnus Dei
- Gloria, FP 177 VI. Qui sedes ad dexteram Patris
- Piano Concerto, FP 146 I. Allegro assai
- Piano Concerto, FP 146 II. Andante con moto
- Piano Concerto, FP 146 III. Rondeau à la fran?aise – Presto giocoso
- Les Biches, FP 36b I. Rondeau – Très lent – Subito allegro molto
- Les Biches, FP 36b II. Adagietto
- Les Biches, FP 36b III. Rag-Mazurka – Presto
- Les Biches, FP 36b IV. Andantino
- Les Biches, FP 36b V. Final – Presto
- 3 Gymnopédies (Orch. Debussy) No. 1 Lent et grave
- 3 Gymnopédies (Orch. Debussy) No. 3 Lent et douloureux
- Fa?ade, Suite No. 2 No. 1 Fanfare
- Fa?ade, Suite No. 2 No. 2 Scotch Rhapsody
- Fa?ade, Suite No. 1 No. 2 Valse
- Fa?ade, Suite No. 1 No. 4 Tango-Pasodoble
- Fa?ade, Suite No. 1 No. 3 Swiss Jodelling Song
- Fa?ade, Suite No. 2 No. 3 Country Dance
- Fa?ade, Suite No. 1 No. 1 Polka
- Fa?ade, Suite No. 2 No. 4 Noche espagnole
- Fa?ade, Suite No. 2 No. 5 Popular Song
- Fa?ade, Suite No. 2 No. 6 Old Sir Faulk
- Fa?ade, Suite No. 1 No. 5 Tarantella – Sevillana
- Gloria
- Orb and Sceptre
- Coronation Te Deum
- Crown Imperial
- The Wise Virgins I. What God Hath Done Is Rightly Done – Vivace assai (from Was Gott tut, das ist wohlgetan, BWV 99)
- The Wise Virgins II. Lord, Hear My Longing
- The Wise Virgins III. See What Love Can Do
- The Wise Virgins IV. Ah! How Ephemeral
- The Wise Virgins V. Sheep May Safely Graze
- The Wise Virgins VI. Praise Be To God
- Notturni ed alba I. Hymnus Ante Somnum – Andante
- Notturni ed alba II. Phantoms – Vivo
- Notturni ed alba III. Te Vigilans Oculis – Lento
- Notturni ed alba IV. Somnia – Agitato
- Notturni ed alba V. Alba – Lento
- Symphony No. 2 I. Vivo
- Symphony No. 2 II. Andante
- Symphony No. 2 III. Allegrissimo
- Symphony No. 2 IV. Lento
- Symphony No. 2 V. Vivo
- Pagliacci, Act 1 To act!… On with the motley (Recitar!… Vesti la giubba) [Canio]
- La Bohème, Act 1 Your tiny hand is frozen (Che gelida manina) [Rodolfo]
- Carmen, WD 31, Act 2 See how the flower (La fleur que tu m’avais jetée) [Don José]
- La Jolie Fille de Perth, WD 15, Act 2 Hear the voice (à la voix d’un amant fidèle) [Smith]
- Tosca, Act 3 When the stars were brightly shining (E lucevan le stelle) [Mario Cavaradossi]
- Turandot, Act 3 None shall sleep tonight (Nessun dorma) [Calaf]
- The Gondoliers, Act 2 Take a pair of sparkling eyes (Marco)
- Paganini, Act 2 Girls were made to love and kiss (Gern hab’ ich die Frau’n geküsst) [Paganini]
- Frasquita, Act 2 When the moon is shining white (Hab’ ein blaues Himmelbett) [Frasquita]
- Frederica, Act 2 O maiden, my maiden (O M?dchen, mein M?dchen) [Friederike]
- Eine Nacht in Venedig, Act 1 Love, I am here (Komm’ in die Gondel) [Duke]
- The Land of Smiles, Act 2 You are my heart’s delight (Dein ist mein ganzes Herz!) [Sou-Chong]
- Orphée aux enfers Overture
- La Grande Duchesse de Gérolstein Overture
- La Belle Hélène Overture
- Barbe-Bleue Overture
- La Vie parisienne Overture
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